The one and only Greek woman in the “Gallery of Beauties” in Munich, from now on has her permanent place in Athens.

The famous portrait of Katerina (“Rosa”) Botsari, a work by the leading German painter Joseph Karl Stieler, has been on display in Athens, at the Philhellenism Museum.

The unveiling of the portrait of the 19th-century Greek beauty Katerina (Rosa) Botsari, daughter of the glorious fighter Markos Botsaris, took place in March 2025 at the Philhellenism Museum, in the presence of descendants of the Souliot Botsaris family and H.E. German Ambassador to Greece, Mr. Andreas Kindl.

 

The eventful life of the daughter of the Greek fighter Markos Botsaris

Markos Botsaris’ daughter, Rosa, sealed the history of the 19th century with the unparalleled beauty of her appearance as a mostly admired woman throughout Europe, as well as the first Greek Court Lady in the service of Queen Amalia.

Rosa, a nickname she received from the characteristic rosy color of her cheeks and lips, became the protégé of Queen Amalia, and a rare variety of Danask rose species was named after her in constant remembrance of the beauty and freshness of her youth.

 

Stieler’s two unique artworks in Munich and Athens

The figure of Rosa painted in 1841 by the leading German painter Joseph Karl Stieler (1781-1858), re-established the dialogue for the promotion of European cultural heritage.

The portrait of Rosa was commissioned by King Ludwig I of Bavaria in order to be included in the “Gallery of Beauties” at Nymphenburg Palace in Munich, which nowadays functions as a museum. The Nymphenburg Archives evidence that the artist created two identical copies, a common practice for important portraits of the time.

The Society for Hellenism and Philhellenism (SPH) and the Philhellenism Museum in Athens acquired the work in December 2024 with the aim of incorporating Rosa’s physique in the collection of a Greek museum, and highlighting her life and family history that implies a deep connection with this of Philhellenism.

This second existing portrait, of even higher value than the first, came back to public view after 42 years, as it had remained in a private collection since it was auctioned by Sotheby’s in 1983 in London. The Philhellenism Museum acquired the work by purchase, setting a world record for the highest price ever paid for a work by the famous German portraitist Stieler.

 

The ongoing cultural dialogue between Greece and Germany

During the inauguration of the portrait in Greece, the founder and president of the Philhellenism Museum, Constantinos Velentzas, underlined the strong bonds between the two countries: “Ludwig I of Bavaria of the House of Wittelsbach was a Philhellene, a fanatical Hellenist, a collector and a friend of the arts. During his reign, Munich rose to prominence artistically with the construction of many neoclassical and neo-humanist buildings, modeled on the architecture of ancient Greece. One of these is the Propylaea of ​​Munich, the only monument internationally dedicated to the Revolution of 1821. Markos Botsaris, who was identified in international public opinion with Leonidas of Sparta, is the central figure who inspired Philhellenic art and Philhellenism internationally.”

The German Ambassador to Greece, Andreas Kindl, expressed his great pleasure and happiness that this major work of art will now be in Athens as well, stating in fluent Greek that “more than 400,000 people visit the “Gallery of Beauties” in Munich every year. The portraits of the Gallery were created by Louis with the aim of representing the ideal of beauty of the time and Rosa Botsari was the only Greek woman among them”. Moreover, he jokingly noted “Today we would say that Rosa was the Miss Greece of the 19th century!”, pleasantly surprising those who attended the ceremony.

The unveiling of the painting was carried out by the young Rosa Botsari, daughter of Kitsos Botsaris, grand-nephew and descendant of Markos Botsaris. Rosa spoke publicly for the very first time about her ancestor, revealing the charm that Rosa even exerted on Washington’s nephew, who was longing her to become his wife – although he did not succeed to make so.

Given the historical, cultural and artistic interest of the existence of the painting in both countries, the formation of programmes and synergies between the Nymphenburg Museum in Munich and the Philhellenism Museum in Athens will be announced soon.

 

For information: info@phmus.org

 

The Society for Hellenism and Philhellenism (SHP) and the Philhellenism Museum, cordially invite you to the ceremony co-organised along with the Ministry of National Defence / General Staff of the Hellenic Armed Forces and the Cadet Academy of Athens, on Friday, May 9th, 2025, at 10.00, at the premises of the Academy in Vari, to honour the Philhellenes who actively participated in the liberation of Greece and contributed decisively to the creation and organisation of the Regular Army and Navy of Greece, in the context of the Greek War of Independence.

Twenty (20) descendants of distinguished Philhellenes will participate in the event and will be honoured with diplomas for the contribution of their ancestors, who gave their lives for Greece.

Descendants of Frank Abney Hastings, Jean – Gabriel Eynard, Charles – Nicolas Fabvier, Edward Codrington, Samuel Gridley Howe, Olivier Voutier, Heinrich Treiber, Wilhelm Bellier de Launoy, Jean-François Maxime Raybaud, Antonio Figueira d’ Almeida, Giuseppe Chiappe, Michele Gramsi, Henri Fornèsy, Pasquale Gambini, Michele Roccavilla, Karl Friedrich Lebrecht von Normann Ehrenfels, will be honored.

The ceremony will be attended by government officials, the hierarchy of the Armed Forces of Greece, and by Ambassadors of the countries of origin of the honoured Philhellenes.

The SHP will offer, in the evening of the same day at 19:30, a visit to the Philhellenism Museum and a reception at the Museum’s Roof Garden to honour the descendants.

The SHP / Philhellenism Museum may offer a limited number of invitations to its friends.

Interested parties can request an invitation by email: info@eefshp.org

RSVP: by Tuesday, April 29, 2025, 12:00

 

 

In a truly touching atmosphere, full of pride and emotion, took place the awarding of the Lord Byron Philhellenism Medal 2025 on Tuesday, February 4, 2025, to two internationally renowned and acclaimed ladies of Literature, the British author Victoria Hislop and the American poet and Professor of Poetry at the Oxford University, Alicia Elsbeth Stallings.

The distinction of the Lord Byron Medal is an initiative of the Society for Hellenism and Philhellenism since 2021 and in collaboration with the Academy of Athens is awarded, annually, to distinguished persons from the fields of diplomacy, culture and academic education, whose careers have contributed to society with work and actions that are in harmony with the values ​​of Hellenism. Moreover, the medal is also awarded  to descendants of Philhellenes who offered their support during the period of the Greek War of Independence.

The presentation of the diploma and the Lord Byron Medal was made by the President and founder of the Society for Hellenism and Philhellenism, Mr. Constantinos Velentzas, the President of the Academy of Athens, Mr. Michalis Tiverios, and the Secretary General of the Academy of Athens, Mr. Christos Zerefos.

”The Academy of Athens and the Society for Hellenism and Philhellenism wish, through the Lord Byron Medal and Lord Byron Award, to honour the concept of Philhellenism, as an ideal which expression thrived during the 19th century with the support of the Greek Revololution, but its existence and continuity has a timeless definition”, said the President of the Academy, Mr. Michalis Tiverios.

And he continued: “At present day’s laureates, have as their own “excavation site” the ancient Greek Literature and classical studies, and as their constant field of research, the interpretation of the Greek landscape and the people of this land. Both ladies have worked and are working for a number of years, for the promotion of Greek culture and its dissemination as a common point of reference for all of us. Both of them chose to share their lifetime among their countries of origin, their working places, and Greece. For them, as well as for Byron, Greece is their homeland by choice.

” The founder of the Society for Hellenism and Philhellenism, Mr. Constantinos Velentzas, presented to a multitude of people who honoured the ceremony at the  Academy of Athens, the most important stages along the career and the admirable work of the two laureates, characterizing them as “two outstanding personalities of the Letters and the Arts, internationally acclaimed, that throughout their intellectual and social work, they bring to life what is defined nowadays as Contemporary Philhellenism”.

“Victoria and Alicia proudly walk the path blazed by the great Romantic poet, reinforcing, each one with her very own unique writing skills, the ideals of ​​liberty and amity, against all kinds of injustice. Like Byron himself, Victoria Hislop and Alicia Stallings chose to live in this land and by reflecting its history to illuminate modern Greece through their words.”

“When in 2024 Victoria became a fellow of the Royal Society of Literature, she was asked to choose the pen of a distinguished author of her country to sign her entry into the Society. Those pens belonged to Charles Dickens, George Eliot, and Lord Byron. She chose Lord Byron’s, declaring of her choice: I like to imagine that Byron carried it with him on his travels in Greece!’

Inspired by Lord Byron’s well-known phrases Many hearts join together in one common cause and Never fail those who fight for a great cause, Constantinos Velentzas referred to the heartfelt participation of the two laureates in the most emblematic action that took place in October 2024 at the Odeon of Herodes Atticus (Herodeion), in Athens, in order to commemorate the 200th anniversary of the death of the Romantic poet and the Year of Philhellenism, where the breathtaking recitations of Victoria Hislop and Alicia Stallings on stage – along with Lina Nikolakopoulou – brought about the unanimous and enthusiastic response of all spectators.

Victoria Hislop and Alicia Stallings thanked the Society for Hellenism and Philhellenism and the Academy of Athens for their awarding, and reiterated their love for Greece and Hellenic culture, affirming that the spirit of Lord Byron remains ever-present.

In particular, Victoria Hislop referred to Lord Byron and his love for Greece, as well as to his poetry, and as she said “As an author, he managed to write with passion, originality and sincerity, and finally to touch the heart of every reader, thus knowing from his manuscripts that he struggled to find the right words, although the result looks as if it came effortlessly from his pen and it is as if you hear his voice.”

“Lord Byron is a great inspiration to all writers. He, surely, is for me. There are many times that Byron wrote for some important purpose to influence and lead others to action. Rarely were his texts merely for fun. His word for supporting Greece in Europe, was important.”

“If I were to discuss with Lord Byron, my first words would be You succeeded. Your great struggle has been justified.”

Alicia Elsbeth Stallings expressed her honour to receive the Lord Byron Philhellenism Medal, especially when this bears the name of the greatest Philhellene of all time. She clarified that “Lord Byron is not known enough for his heroism in English-speaking countries, and he is not known enough for his poetry in Greece. If the Greeks know something about his poetic work, it is usually the first four stanzas of his famous poem, The Isles of Greece“.

And she continued, “Byron, the man of Letters, the greatest comic and satirical poet of his time, and the man of action and political mobilization, were not two different men, but one poet. But Byron knew that both words and deeds, both swords and odes, reach their height, and shine brightest, in the darkest of times.

Poets sharpen words. They help them keep their wits sharp, at a time when tyrants and oligarchs are blunting them with the back-and-forth blows with which they try to tame societies. When the battle seems lost, then more than ever, we need poetry.”

Wishing to strengthen the extroversion of the Academy of Athens, its President, Mr. Michalis Tiverios, stated that for the first time within the context of the collaboration with the Society for Hellenism and Philhellenism, and the awarding ceremony of the Lord Byron Philhellenism Medal, a concert with a multi-member orchestra takes place at the premises of the Academy of Athens.

The Hellenic Air Force Band with its maestro, Mr. Alexandros Litsardopoulos, and with two special and talented performers, the baritone Angelos Mousikas and the soprano Sophia Zova, left the attendees literally dazzled.

Photos of laureates Victoria Hislop and Alicia Elsbeth Stallings are hereby attached, along with various views of the event.

For further information you may contact: info@eefshp.org and T. +30 2108094750

 

 

 

 

The Philhellenism Museum in collaboration with the Center for Hellenic Studies in Greece are organizing the workshop titled “The Reception of the Philhellenic Movement from 1821 until the End of the 19th Century by the Press and Literature of the Time.”

The workshop will take place on 8 & 9 March 2025, 11.00-15.00, at the Philhellenism Museum in Athens.

The academic coordination will be undertaken by Ms. Chrysa Theologou (2024-25 Harvard CHS Fellow in Philhellenism, Adjunct Faculty at the University of Ioannina) and the activity administration by Ms. Matina Goga (CHS Greece).

Limited number of 24 participants

Application period: January 14 – February 14, 2025

Information and applications: https://forms-greece.chs.harvard.edu/reception-of-the-philhellenic-movement-workshop/

The selection of the participants will be made by the workshop coordinator based on their CV and the details they will declare in their online application. Prior knowledge of the subject is not required. Participation in the workshop is free.

The CHS and the Philhellenism Museum will grant the participants a letter of thanks that will certify their participation in the workshop.

All applicants will be notified by February 20, 2025 by email of the progress of their application. Participants need to confirm their participation by email and will be informed of their participation and relevant forms they will need to submit. For clarifications about the workshop and the application process, you can contact the Center Hellenic Studies (+30 27520 47040), daily (10:00 am-5:00 pm).

About the workshop

Overview

The Center for Hellenic Studies in Greece is collaborating with the Philhellenism Museum in organizing the workshop titled “The Reception of the Philhellenic Movement from 1821 until the End of the 19th Century by the Press and Literature of the Time.” CHS Greece, through its annual workshop series, aims to support Hellenic Studies and the broader field of Humanities, and to offer intergenerational, interdisciplinary, lifelong learning opportunities to the public.

This workshop focuses on examining the reception of the Philhellenic movement, which developed throughout much of the 19th century not only in Europe but also in America, through the Greek press. The existence of the Greek Press even before the establishment of an independent Greek state underscores its significance and role in the initiation and progress of the Revolution. In the post-revolutionary years, the notable “expansion” of the press is a remarkable phenomenon directly linked to political and social developments.

Therefore, the reception of the Philhellenic movement by the Greek press, which originated with the Greek Revolution but continued with significant peaks throughout the 19th century, is an important field of research. Its findings are expected to shed more light on the development and spread of Philhellenism.

Based on the above, the workshop aims to delve deeper into the study of this highly significant Philhellenic movement through the press and literature, highlighting lesser-known aspects as revealed in newspaper pages and literary works of the time.

Thematic areas – Workshop structure

The approach to the topic will be organized around the following thematic axes:

• Pre-revolutionary daily press and the press of the Revolution
• Literature of the Revolution
• Creation and evolution of the Philhellenic movement
• Reception of the movement by the daily press and literature
• Key milestones in the reception of Philhellenism by the press and literature throughout the 19th century
• Philhellenism and the Greco-Turkish War of 1897

During the workshop the coordinator will introduce the above topics, and participants will actively engage in discussions. The workshop includes a documentary screening about the significant role of Philhellenes by the Society for Philhellenism and an interactive tour of the museum’s rich Philhellenic collection. Ten days before the workshop, participants will receive relevant reading material that they may optionally study in advance.