{"id":19274,"date":"2021-11-08T14:12:54","date_gmt":"2021-11-08T12:12:54","guid":{"rendered":"https:\/\/phmus.org\/lord-byron\/lord-byron-s-entourage\/"},"modified":"2022-04-14T15:28:36","modified_gmt":"2022-04-14T12:28:36","slug":"lord-byron-s-entourage","status":"publish","type":"page","link":"https:\/\/phmus.org\/en\/lord-byron\/lord-byron-s-entourage\/","title":{"rendered":"Lord Byron\u2019s entourage"},"content":{"rendered":"\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-26gsn-2a6200d6e41ed796c984b418fe5d683e\">\n.avia-section.av-26gsn-2a6200d6e41ed796c984b418fe5d683e{\nbackground-repeat:no-repeat;\nbackground-image:url(https:\/\/phmus.org\/wp-content\/uploads\/2018\/02\/S4.jpg);\nbackground-position:50% 50%;\nbackground-attachment:scroll;\n}\n<\/style>\n<div id='av_section_1'  class='avia-section av-26gsn-2a6200d6e41ed796c984b418fe5d683e main_color avia-section-huge avia-no-shadow  avia-builder-el-0  el_before_av_one_full  avia-builder-el-first  avia-full-stretch avia-bg-style-scroll container_wrap sidebar_right'  data-section-bg-repeat='stretch'><div class='container av-section-cont-open' ><main  role=\"main\" itemprop=\"mainContentOfPage\"  class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-19274'><div class='entry-content-wrapper clearfix'>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_heading-dc594f230791595241adec94ce1fceb0\">\n#top .av-special-heading.av-av_heading-dc594f230791595241adec94ce1fceb0{\npadding-bottom:10px;\ncolor:#ffffff;\n}\nbody .av-special-heading.av-av_heading-dc594f230791595241adec94ce1fceb0 .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-av_heading-dc594f230791595241adec94ce1fceb0 .special-heading-inner-border{\nborder-color:#ffffff;\n}\n.av-special-heading.av-av_heading-dc594f230791595241adec94ce1fceb0 .av-subheading{\nfont-size:16px;\n}\n<\/style>\n<div  class='av-special-heading av-av_heading-dc594f230791595241adec94ce1fceb0 av-special-heading-h1 custom-color-heading blockquote modern-quote  avia-builder-el-1  el_before_av_button  avia-builder-el-first '><h1 class='av-special-heading-tag '  itemprop=\"headline\"  >Lord Byron\u2019s entourage<\/h1><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div>\n<div  class='avia-button-wrap av-kvqw1s88-153dac3566fac0ca615c0c4aaa669489-wrap avia-button-left  avia-builder-el-2  el_after_av_heading  avia-builder-el-last '><a href='https:\/\/phmus.org\/en\/lord-byron\/'  class='avia-button av-kvqw1s88-153dac3566fac0ca615c0c4aaa669489 av-link-btn avia-icon_select-yes-left-icon avia-size-medium avia-position-left avia-color-light'   aria-label=\"Lord Byron\"><span class='avia_button_icon avia_button_icon_left avia-iconfont avia-font-entypo-fontello' data-av_icon='\ue880' data-av_iconfont='entypo-fontello' ><\/span><span class='avia_iconbox_title' >Lord Byron<\/span><\/a><\/div>\n<\/div><\/div><\/main><!-- close content main element --><\/div><\/div><div id='after_section_1'  class='main_color av_default_container_wrap container_wrap sidebar_right'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-19274'><div class='entry-content-wrapper clearfix'>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-24im19-897beac7a12e9f6598f29cc5c6b12469\">\n.flex_column.av-24im19-897beac7a12e9f6598f29cc5c6b12469{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-24im19-897beac7a12e9f6598f29cc5c6b12469 av_one_full  avia-builder-el-3  el_after_av_section  el_before_av_three_fifth  avia-builder-el-first  first flex_column_div av-animated-generic bottom-to-top av-zero-column-padding  '     ><style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kvqmofmn-80caa842b65dc6448a726b3a73d3d405\">\n#top .av-special-heading.av-kvqmofmn-80caa842b65dc6448a726b3a73d3d405{\npadding-bottom:10px;\n}\nbody .av-special-heading.av-kvqmofmn-80caa842b65dc6448a726b3a73d3d405 .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-kvqmofmn-80caa842b65dc6448a726b3a73d3d405 .av-subheading{\nfont-size:15px;\n}\n<\/style>\n<div  class='av-special-heading av-kvqmofmn-80caa842b65dc6448a726b3a73d3d405 av-special-heading-h3 blockquote modern-quote  avia-builder-el-4  avia-builder-el-no-sibling '><h3 class='av-special-heading-tag '  itemprop=\"headline\"  >Poetry: Thomas Moore<\/h3><div class='av-subheading av-subheading_below'><p>Henry Bishop, The sky is bright &#8211; \u03b1\u03c0\u03cc \u03c4\u03bf\u03bd \u03ba\u03cd\u03ba\u03bb\u03bf \u201cEvenings in Greece\u201d<\/p>\n<\/div><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-24im19-897beac7a12e9f6598f29cc5c6b12469\">\n.flex_column.av-24im19-897beac7a12e9f6598f29cc5c6b12469{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-24im19-897beac7a12e9f6598f29cc5c6b12469 av_three_fifth  avia-builder-el-5  el_after_av_one_full  el_before_av_one_full  first flex_column_div av-animated-generic bottom-to-top av-zero-column-padding  column-top-margin'     ><style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kvqjssct-3b61e456cabc9abcea8ba7a30be7a74e\">\n.avia-video.av-kvqjssct-3b61e456cabc9abcea8ba7a30be7a74e{\nbackground-image:url(https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_01.jpg);\n}\n<\/style>\n<div  class='avia-video av-kvqjssct-3b61e456cabc9abcea8ba7a30be7a74e avia-video-16-9 av-preview-image avia-video-load-always av-lazyload-immediate av-lazyload-video-embed'  itemprop=\"video\" itemtype=\"https:\/\/schema.org\/VideoObject\"  data-original_url='https:\/\/www.youtube.com\/watch?v=9ND0mfcvJ6c'><script type='text\/html' class='av-video-tmpl'><div class='avia-iframe-wrap'><iframe loading=\"lazy\" title=\"Henry Bishop - The sky is bright\" width=\"1500\" height=\"844\" src=\"https:\/\/www.youtube.com\/embed\/9ND0mfcvJ6c?feature=oembed&autoplay=0&loop=0&controls=1&mute=0\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/div><\/script><div class='av-click-to-play-overlay'><div class=\"avia_playpause_icon\"><\/div><\/div><\/div><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-24im19-897beac7a12e9f6598f29cc5c6b12469\">\n.flex_column.av-24im19-897beac7a12e9f6598f29cc5c6b12469{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-24im19-897beac7a12e9f6598f29cc5c6b12469 av_one_full  avia-builder-el-7  el_after_av_three_fifth  el_before_av_section  avia-builder-el-last  first flex_column_div av-animated-generic bottom-to-top av-zero-column-padding  '     ><section  class='av_textblock_section av-kvqjqnjl-b4e857e0f97ef870ca3b339c16d46071 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>In 1809 Lord Byron travelled to the Mediterranean for the first time, accompanied by his faithful friend, <strong>John Cam Hobhouse<\/strong> (1786-1869). Hobhouse remained his closest friend until the poet\u2019s death. During this journey, Byron conceived the literary figure <em>Childe Harold, <\/em>his alter ego. After a journey to Asia Minor (1809-1810), he spent some time in Athens as a guest of the Deputy Consul of Great Britain, Prokopis Makris, and fell in love with his daughter, <strong>Teresa <\/strong>(1797-1875), for whom he composed the poem <em>Maid of Athens<\/em>. Upon his return to England (July 1811), the works he conceived in Greece became widely popular, which paved the way for a collaboration with the publisher <strong>John Murray<\/strong> (1778-1843).<\/p>\n<p>In June 1816, Byron resided in the Villa Diodati on the shores of Lake Geneva. <strong>Claire Clairmont<\/strong> (1798-1879), a young woman in love with him, followed the poet in Switzerland. Claire was <strong>Mary Shelley<\/strong>\u2019s half-sister and introduced Byron to <strong>Mary<\/strong> (1797-1851) and <strong>Percy Bysshe Shelley <\/strong>(1792-1822). The doctor <strong>John Polidori<\/strong> (1795-1821) joined them in Geneva, where a group of self-exiled, romantic intellectuals was formed. This fortunate coincidence resulted in the creation of seminal literary works: Percy Shelley, author of the emblematic <em>Hellas<\/em> (1821), encouraged Byron to create <em>Don Juan<\/em>; Mary Shelley conceived <em>Frankenstein<\/em> and Polidori his <em>Vampyre<\/em> \u2013 both of them inspired by Byrons\u2019 personality.<\/p>\n<p>After the Shelleys reluctantly moved back to England, Byron wandered in Italy, where he finally settled in Ravenna. He had already fallen in love with the young Countess <strong>Teresa Guiccioli <\/strong>(1800\u20131873), the daughter of Count Ruggero <strong>Gamba<\/strong> Ghiselli, a fiery Italian patriot. Her father, Ruggero, and her brother, <strong>Pietro <\/strong>(1801-1828), introduced Byron to <em>carbonarism<\/em>. Lord Byron soon found his place in the movement as an honorary leader of one of its branches.<\/p>\n<p>Around 1820, Italy was the melting pot of English romantics, Italian <em>carbonari<\/em>, Greek Enlighteners and members of the pro-revolutionary <em>Filiki Eteria<\/em> (Society of Friends). After the failure of the Italian patriotic movement, the Gambas fled with Byron to Pisa. The Shelleys were already there, and so did their new \u201cGreek friend\u201d, <strong>Alexandros Mavrocordatos <\/strong>(1791\u20131865). Shelley\u2019s <em>Hellas<\/em> is dedicated to him. Their friends, <strong>John Eduard Trelawny<\/strong> (1792-1881) and <strong>Leigh Hunt<\/strong> (1784-1859), also arrived in the city in 1822. Pisa was the place, where important figures of the Greek Revolution were gathered. <strong>Archbishop Ignatius <\/strong>(1765\u20131828), the chairman of the <em>Philomuse Society, <\/em>acted safely there, away from Metternich\u2019s police, where he formed a group of supporters around him: the so \u2013 called <em>Circle of Pisa<\/em>. The Shelleys and Byron became acquainted with this group of influence, which shaped their philhellenism.<\/p>\n<p>It was the Shelleys though that majorly impacted Byron\u2019s philhellenism. Among others, a tragic event led Byron to shift his focus from the Italian issue to the Greek Revolution: Percy Bysshe Shelley, the poet who prophesized the victorious outcome of the Greek Revolution in his emblematic work <em>Hellas<\/em>, drowned in a sudden storm while travelling on his boat, <em>Don Juan<\/em>. Trelawny, Hunt and Byron fare welled him on the beach of Viareggio. Byron was deeply shocked by this loss.<\/p>\n<p>Soon enough though, two Philhellenes approached him in Italy: <strong>Edward Blaqui\u00e8re<\/strong> (1779-1832), founding member of the London Greek Committee (established in 1823) and the Greek <strong>Andreas Louriotis<\/strong> (1789-1854), later a delegate of the Greek administration. The two men and Mary Shelley encouraged the poet to go to Greece on behalf of the committee and direct their aid, which was being sent there. Byron accepted the invitation but also decided -on his own- to fight for Greece\u2019s liberation. In this new \u2013 but last \u2013 chapter of his life, he was accompanied by his personal attendant<br \/>\n<strong>\u201cTita\u201d Falcieri (1798\u20131874)<\/strong>, his doctor <strong>Francesco Bruno (-1827)<\/strong>, his chamberlain <strong>William Fletcher<\/strong> and his good friend Count <strong>Pietro Gamba.<\/strong> Their first stop was Kefalonia of the Ionian Islands, where they met with its English commander, <strong>Sir Charles James Napier<\/strong> (1782-1853). <strong>John Eduard Trelawny<\/strong>, <strong>Lord Charles Murray<\/strong> (1799-1824), who followed Byron in Missolonghi, <strong>William Parry<\/strong> (1773-1859), his later secretary, as well as the historian <strong>George Finlay <\/strong>(1799-1875), met Byron there.<\/p>\n<p>Byron settled in Missolonghi, where he spent the last months of his life. The poet recruited many Souliotes, elite fighters, and formed his own military unit, in which many Philhellenes served. Among them, the distinguished American Philhellene, <strong>Georges Jarvis <\/strong>(-1828), served as Byron\u2019s aid de camp and trainer of Byron\u2019s military unit. Although the corps dissolved after Lord Byron\u2019s death, many of those Philhellenes continued to offer their services to Greece.<\/p>\n<p><strong>Sir James Emerson Tennent<\/strong> (1804-1869), a close friend to Byron and a member of his corps, spent some time in Greece and published three related books: <em>Picture of Greece<\/em> (1826), <em>Letters from the Aegean<\/em> (1829) and <em>History of Modern Greece<\/em> (1830). He is considered to have had a great influence on British philhellenism.<\/p>\n<p><strong>William Parry<\/strong>, who served as Byron\u2019s secretary until his death, wrote about the final chapter of Byron\u2019s life in his work <em>The Last Days of Lord Byron<\/em> (1825). A few years later, the Irish poet <strong>Thomas Moore<\/strong>, a friend of Byron since the time at Trinity College, wrote a biography on his friend entitled <em>Letters and Journals of Lord Byron: With Notices of His Life <\/em>(1830).<\/p>\n<p>Byron\u2019s death filled everyone in Missolonghi with sorrow. The poet, however, did not die in loneliness. His most faithful companions surrounded him. Lieutenant colonel <strong>Leicester Fitzgerald Charles Stanhope<\/strong>, Captain <strong>William Humphreys<\/strong>, Count <strong>Pietro Gamba<\/strong> and Byron\u2019s valet, <strong>William Fletcher,<\/strong> were the ones who accompanied the poet\u2019s body back to England.<\/p>\n<p>Georges Canning (1770-1827), was a distinguished British politician, close friend and admirer of Lord Byron. His policy towards the Greek War of Independence as a Minister of Foreign affairs and then Prime Minister of Great Britain, was definitely inspired by the choices and legacy of Lord Byron. Georges Canning allowed Byron\u2019s dream \u201cthat Greece might still be free again\u201d to materialize.<\/p>\n<\/div><\/section><\/div><\/div><\/div><\/div><!-- close content main div --><\/div><\/div><div id='av_section_2'  class='avia-section av-av_section-3ef07c12a2bb1670acbb6a6393332f22 main_color avia-section-default avia-no-border-styling  avia-builder-el-9  el_after_av_one_full  avia-builder-el-last  avia-bg-style-scroll container_wrap sidebar_right'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-19274'><div class='entry-content-wrapper clearfix'>\n<div id='av-masonry-1' class='av-masonry av-kvqkotn1-a7f56be976b3dfe32aa4c40456cbd675 noHover av-flex-size av-large-gap av-hover-overlay- av-masonry-animation-active av-masonry-col-flexible av-caption-always av-caption-style- av-masonry-gallery ' data-post_id=\"19274\"><div class=\"av-masonry-container isotope av-js-disabled\"><div class='av-masonry-entry isotope-item av-masonry-item-no-image '><\/div><a href=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_10.jpg\" data-srcset=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_10.jpg 683w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_10-600x900.jpg 600w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_10-200x300.jpg 200w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_10-470x705.jpg 470w\" data-sizes=\"(max-width: 683px) 100vw, 683px\"  aria-label=\"image \u0391 figure of Sir Charles James Napier, officer, veteran of the British Army and the 1812 campaigns and governor of Kefalonia of the Ionian Islands during Byron\u2019s journey to Greece. United Kingdom, 19th century. Porcelain, height 39 cm.\"  id='av-masonry-1-item-19332' data-av-masonry-item='19332' class='av-masonry-entry isotope-item post-19332 attachment type-attachment status-inherit hentry  av-masonry-item-with-image' title=\"\u0391 figure of Sir Charles James Napier, officer, veteran of the British Army and the 1812 campaigns and governor of Kefalonia of the Ionian Islands during Byron\u2019s journey to Greece. United Kingdom, 19th century. Porcelain, height 39 cm.\" alt=\"\"    itemprop=\"thumbnailUrl\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container'  ><img decoding=\"async\" width=\"470\" height=\"705\" fetchpriority=\"high\" class=\"wp-image-19332 avia-img-lazy-loading-not-19332\"  src=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_10-470x705.jpg\" title=\"\u0391 figure of Sir Charles James Napier, officer, veteran of the British Army and the 1812 campaigns and governor of Kefalonia of the Ionian Islands during Byron\u2019s journey to Greece. United Kingdom, 19th century. Porcelain, height 39 cm.\" alt=\"\" srcset=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_10-470x705.jpg 470w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_10-600x900.jpg 600w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_10-200x300.jpg 200w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_10.jpg 683w\" sizes=\"(max-width: 470px) 100vw, 470px\" \/><\/div><\/div><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_17.jpg\" data-srcset=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_17.jpg 1920w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_17-600x447.jpg 600w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_17-300x224.jpg 300w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_17-1030x768.jpg 1030w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_17-768x572.jpg 768w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_17-1536x1145.jpg 1536w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_17-1500x1118.jpg 1500w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_17-705x525.jpg 705w\" data-sizes=\"(max-width: 1920px) 100vw, 1920px\"  aria-label=\"image Byron related notes, including one envelope to F. Hodgson with Byron\u2018s signature and personal seal, a printed portrait and a note from Anne Isabella Noel Byron, 42 x 43 cm.\"  id='av-masonry-1-item-19346' data-av-masonry-item='19346' class='av-masonry-entry isotope-item post-19346 attachment type-attachment status-inherit hentry  av-masonry-item-with-image' title=\"Byron related notes, including one envelope to F. Hodgson with Byron\u2018s signature and personal seal, a printed portrait and a note from Anne Isabella Noel Byron, 42 x 43 cm.\" alt=\"\"    itemprop=\"thumbnailUrl\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container'  ><img decoding=\"async\" width=\"705\" height=\"525\" fetchpriority=\"high\" class=\"wp-image-19346 avia-img-lazy-loading-not-19346\"  src=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_17-705x525.jpg\" title=\"Byron related notes, including one envelope to F. Hodgson with Byron\u2018s signature and personal seal, a printed portrait and a note from Anne Isabella Noel Byron, 42 x 43 cm.\" alt=\"\" srcset=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_17-705x525.jpg 705w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_17-600x447.jpg 600w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_17-300x224.jpg 300w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_17-1030x768.jpg 1030w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_17-768x572.jpg 768w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_17-1536x1145.jpg 1536w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_17-1500x1118.jpg 1500w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_17.jpg 1920w\" sizes=\"(max-width: 705px) 100vw, 705px\" \/><\/div><\/div><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_18.jpg\" data-srcset=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_18.jpg 1920w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_18-600x454.jpg 600w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_18-300x227.jpg 300w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_18-1030x779.jpg 1030w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_18-768x581.jpg 768w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_18-1536x1162.jpg 1536w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_18-1500x1135.jpg 1500w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_18-705x534.jpg 705w\" data-sizes=\"(max-width: 1920px) 100vw, 1920px\"  aria-label=\"image William Henry Bartlett, Stormy Sea at Cape Sounion in the southern edge of Attica with the Temple of Poseidon (St\u00fcrmische See am Kap Sounion an der S\u00fcdspitze Attikas mit dem Poseidon \u03a4empel). Byron was so fascinated by the Poseidon\u2019s temple that he engraved his name \u03bfn the marbles. \u0392etween 1835 and 1840. Oil on wood, 17.7 x 24.2 cm.\"  id='av-masonry-1-item-19348' data-av-masonry-item='19348' class='av-masonry-entry isotope-item post-19348 attachment type-attachment status-inherit hentry  av-masonry-item-with-image' title=\"William Henry Bartlett, Stormy Sea at Cape Sounion in the southern edge of Attica with the Temple of Poseidon (St\u00fcrmische See am Kap Sounion an der S\u00fcdspitze Attikas mit dem Poseidon \u03a4empel). Byron was so fascinated by the Poseidon\u2019s temple that he engraved his name \u03bfn the marbles. \u0392etween 1835 and 1840. Oil on wood, 17.7 x 24.2 cm.\" alt=\"\"    itemprop=\"thumbnailUrl\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container'  ><img decoding=\"async\" width=\"705\" height=\"534\" fetchpriority=\"high\" class=\"wp-image-19348 avia-img-lazy-loading-not-19348\"  src=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_18-705x534.jpg\" title=\"William Henry Bartlett, Stormy Sea at Cape Sounion in the southern edge of Attica with the Temple of Poseidon (St\u00fcrmische See am Kap Sounion an der S\u00fcdspitze Attikas mit dem Poseidon \u03a4empel). Byron was so fascinated by the Poseidon\u2019s temple that he engraved his name \u03bfn the marbles. \u0392etween 1835 and 1840. Oil on wood, 17.7 x 24.2 cm.\" alt=\"\" srcset=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_18-705x534.jpg 705w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_18-600x454.jpg 600w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_18-300x227.jpg 300w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_18-1030x779.jpg 1030w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_18-768x581.jpg 768w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_18-1536x1162.jpg 1536w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_18-1500x1135.jpg 1500w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_18.jpg 1920w\" sizes=\"(max-width: 705px) 100vw, 705px\" \/><\/div><\/div><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_39.jpg\" data-srcset=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_39.jpg 701w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_39-600x876.jpg 600w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_39-205x300.jpg 205w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_39-483x705.jpg 483w\" data-sizes=\"(max-width: 701px) 100vw, 701px\"  aria-label=\"image Robert Hennell, A pair of commemorative goblets about Lord Byron\u2018s crossing of the Hellespont together with R. Ekenhead. First half of the 19th century. Silver, 17 cm.\"  id='av-masonry-1-item-19390' data-av-masonry-item='19390' class='av-masonry-entry isotope-item post-19390 attachment type-attachment status-inherit hentry  av-masonry-item-with-image' title=\"Robert Hennell, A pair of commemorative goblets about Lord Byron\u2018s crossing of the Hellespont together with R. Ekenhead. First half of the 19th century. Silver, 17 cm.\" alt=\"\"    itemprop=\"thumbnailUrl\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container'  ><img decoding=\"async\" width=\"483\" height=\"705\" fetchpriority=\"high\" class=\"wp-image-19390 avia-img-lazy-loading-not-19390\"  src=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_39-483x705.jpg\" title=\"Robert Hennell, A pair of commemorative goblets about Lord Byron\u2018s crossing of the Hellespont together with R. Ekenhead. First half of the 19th century. Silver, 17 cm.\" alt=\"\" srcset=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_39-483x705.jpg 483w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_39-600x876.jpg 600w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_39-205x300.jpg 205w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_39.jpg 701w\" sizes=\"(max-width: 483px) 100vw, 483px\" \/><\/div><\/div><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_55b.jpg\" data-srcset=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_55b.jpg 1920w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_55b-600x400.jpg 600w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_55b-300x200.jpg 300w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_55b-1030x687.jpg 1030w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_55b-768x512.jpg 768w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_55b-1536x1024.jpg 1536w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_55b-1500x1000.jpg 1500w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_55b-705x470.jpg 705w\" data-sizes=\"(max-width: 1920px) 100vw, 1920px\"  aria-label=\"image Edward Trelawny\u2019s silver yataghan sword. It was produced for the London Philhellenic Committee. Its grips made of elephant display Greek and Philhellene heroes: Lord Byron, Percy Bysshe Shelley, Manto Mavrogenous, Demetrios Ypsilantis, Theodoros Kolokotronis, Konstantinos Kanaris, Petrobey Mavromichalis and Leonidas of Sparta. Epirus (Greece), first half of the 19th century. Silver and wood, 84 cm. (b)\"  id='av-masonry-1-item-19428' data-av-masonry-item='19428' class='av-masonry-entry isotope-item post-19428 attachment type-attachment status-inherit hentry  av-masonry-item-with-image' title=\"Edward Trelawny\u2019s silver yataghan sword. It was produced for the London Philhellenic Committee. Its grips made of elephant display Greek and Philhellene heroes: Lord Byron, Percy Bysshe Shelley, Manto Mavrogenous, Demetrios Ypsilantis, Theodoros Kolokotronis, Konstantinos Kanaris, Petrobey Mavromichalis and Leonidas of Sparta. Epirus (Greece), first half of the 19th century. Silver and wood, 84 cm. (b)\" alt=\"\"    itemprop=\"thumbnailUrl\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container'  ><img decoding=\"async\" width=\"705\" height=\"470\" fetchpriority=\"high\" class=\"wp-image-19428 avia-img-lazy-loading-not-19428\"  src=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_55b-705x470.jpg\" title=\"Edward Trelawny\u2019s silver yataghan sword. It was produced for the London Philhellenic Committee. Its grips made of elephant display Greek and Philhellene heroes: Lord Byron, Percy Bysshe Shelley, Manto Mavrogenous, Demetrios Ypsilantis, Theodoros Kolokotronis, Konstantinos Kanaris, Petrobey Mavromichalis and Leonidas of Sparta. Epirus (Greece), first half of the 19th century. Silver and wood, 84 cm. (b)\" alt=\"\" srcset=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_55b-705x470.jpg 705w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_55b-600x400.jpg 600w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_55b-300x200.jpg 300w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_55b-1030x687.jpg 1030w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_55b-768x512.jpg 768w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_55b-1536x1024.jpg 1536w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_55b-1500x1000.jpg 1500w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_55b.jpg 1920w\" sizes=\"(max-width: 705px) 100vw, 705px\" \/><\/div><\/div><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_55a.jpg\" data-srcset=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_55a.jpg 1920w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_55a-600x400.jpg 600w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_55a-300x200.jpg 300w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_55a-1030x687.jpg 1030w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_55a-768x512.jpg 768w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_55a-1536x1024.jpg 1536w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_55a-1500x1000.jpg 1500w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_55a-705x470.jpg 705w\" data-sizes=\"(max-width: 1920px) 100vw, 1920px\"  aria-label=\"image Edward Trelawny\u2019s silver yataghan sword. It was produced for the London Philhellenic Committee. Its grips made of elephant display Greek and Philhellene heroes: Lord Byron, Percy Bysshe Shelley, Manto Mavrogenous, Demetrios Ypsilantis, Theodoros Kolokotronis, Konstantinos Kanaris, Petrobey Mavromichalis and Leonidas of Sparta. Epirus (Greece), first half of the 19th century. Silver and wood, 84 cm. (a)\"  id='av-masonry-1-item-19426' data-av-masonry-item='19426' class='av-masonry-entry isotope-item post-19426 attachment type-attachment status-inherit hentry  av-masonry-item-with-image' title=\"Edward Trelawny\u2019s silver yataghan sword. It was produced for the London Philhellenic Committee. Its grips made of elephant display Greek and Philhellene heroes: Lord Byron, Percy Bysshe Shelley, Manto Mavrogenous, Demetrios Ypsilantis, Theodoros Kolokotronis, Konstantinos Kanaris, Petrobey Mavromichalis and Leonidas of Sparta. Epirus (Greece), first half of the 19th century. Silver and wood, 84 cm. (a)\" alt=\"\"    itemprop=\"thumbnailUrl\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container'  ><img decoding=\"async\" width=\"705\" height=\"470\" fetchpriority=\"high\" class=\"wp-image-19426 avia-img-lazy-loading-not-19426\"  src=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_55a-705x470.jpg\" title=\"Edward Trelawny\u2019s silver yataghan sword. It was produced for the London Philhellenic Committee. Its grips made of elephant display Greek and Philhellene heroes: Lord Byron, Percy Bysshe Shelley, Manto Mavrogenous, Demetrios Ypsilantis, Theodoros Kolokotronis, Konstantinos Kanaris, Petrobey Mavromichalis and Leonidas of Sparta. Epirus (Greece), first half of the 19th century. Silver and wood, 84 cm. (a)\" alt=\"\" srcset=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_55a-705x470.jpg 705w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_55a-600x400.jpg 600w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_55a-300x200.jpg 300w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_55a-1030x687.jpg 1030w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_55a-768x512.jpg 768w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_55a-1536x1024.jpg 1536w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_55a-1500x1000.jpg 1500w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_55a.jpg 1920w\" sizes=\"(max-width: 705px) 100vw, 705px\" \/><\/div><\/div><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_57a.jpg\" data-srcset=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_57a.jpg 856w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_57a-600x718.jpg 600w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_57a-251x300.jpg 251w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_57a-768x919.jpg 768w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_57a-589x705.jpg 589w\" data-sizes=\"(max-width: 856px) 100vw, 856px\"  aria-label=\"image Unknown artist, The Philhellene Edward John Trelawny (1792 \u2013 1881). United Kingdom. Oil on canvas, 78 x 63 cm.\"  id='av-masonry-1-item-19432' data-av-masonry-item='19432' class='av-masonry-entry isotope-item post-19432 attachment type-attachment status-inherit hentry  av-masonry-item-with-image' title=\"Unknown artist, The Philhellene Edward John Trelawny (1792 \u2013 1881). United Kingdom. Oil on canvas, 78 x 63 cm.\" alt=\"\"    itemprop=\"thumbnailUrl\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container'  ><img decoding=\"async\" width=\"589\" height=\"705\" fetchpriority=\"high\" class=\"wp-image-19432 avia-img-lazy-loading-not-19432\"  src=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_57a-589x705.jpg\" title=\"Unknown artist, The Philhellene Edward John Trelawny (1792 \u2013 1881). United Kingdom. Oil on canvas, 78 x 63 cm.\" alt=\"\" srcset=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_57a-589x705.jpg 589w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_57a-600x718.jpg 600w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_57a-251x300.jpg 251w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_57a-768x919.jpg 768w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_57a.jpg 856w\" sizes=\"(max-width: 589px) 100vw, 589px\" \/><\/div><\/div><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_62a.jpg\" data-srcset=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_62a.jpg 884w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_62a-600x695.jpg 600w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_62a-259x300.jpg 259w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_62a-768x890.jpg 768w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_62a-609x705.jpg 609w\" data-sizes=\"(max-width: 884px) 100vw, 884px\"  aria-label=\"image A miniature portrait of Teresa Makri, Byron\u2019s muse for his poem \u2018\u2019\u039caid of Athens\u2019\u2019. Painted ivory, 19th century, 9.7 x 7 cm.\"  id='av-masonry-1-item-19448' data-av-masonry-item='19448' class='av-masonry-entry isotope-item post-19448 attachment type-attachment status-inherit hentry  av-masonry-item-with-image' title=\"A miniature portrait of Teresa Makri, Byron\u2019s muse for his poem \u2018\u2019\u039caid of Athens\u2019\u2019. Painted ivory, 19th century, 9.7 x 7 cm.\" alt=\"\"    itemprop=\"thumbnailUrl\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container'  ><img decoding=\"async\" width=\"609\" height=\"705\" fetchpriority=\"high\" class=\"wp-image-19448 avia-img-lazy-loading-not-19448\"  src=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_62a-609x705.jpg\" title=\"A miniature portrait of Teresa Makri, Byron\u2019s muse for his poem \u2018\u2019\u039caid of Athens\u2019\u2019. Painted ivory, 19th century, 9.7 x 7 cm.\" alt=\"\" srcset=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_62a-609x705.jpg 609w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_62a-600x695.jpg 600w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_62a-259x300.jpg 259w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_62a-768x890.jpg 768w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_62a.jpg 884w\" sizes=\"(max-width: 609px) 100vw, 609px\" \/><\/div><\/div><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_67_L.jpg\" data-srcset=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_67_L.jpg 1203w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_67_L-600x511.jpg 600w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_67_L-300x255.jpg 300w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_67_L-1030x877.jpg 1030w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_67_L-768x654.jpg 768w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_67_L-705x600.jpg 705w\" data-sizes=\"(max-width: 1203px) 100vw, 1203px\"  aria-label=\"image Edward Blaqui\u00e8re (1779 \u2013 1832), Narrative Of A Second Visit To Greece: Including Facts Connected With The Last Days Of Lord Byron (first edition), Geo. B. Whittaker, London, 1825.\"  id='av-masonry-1-item-19456' data-av-masonry-item='19456' class='av-masonry-entry isotope-item post-19456 attachment type-attachment status-inherit hentry  av-masonry-item-with-image' title=\"Edward Blaqui\u00e8re (1779 \u2013 1832), Narrative Of A Second Visit To Greece: Including Facts Connected With The Last Days Of Lord Byron (first edition), Geo. B. Whittaker, London, 1825.\" alt=\"\"    itemprop=\"thumbnailUrl\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container'  ><img decoding=\"async\" width=\"705\" height=\"600\" fetchpriority=\"high\" class=\"wp-image-19456 avia-img-lazy-loading-not-19456\"  src=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_67_L-705x600.jpg\" title=\"Edward Blaqui\u00e8re (1779 \u2013 1832), Narrative Of A Second Visit To Greece: Including Facts Connected With The Last Days Of Lord Byron (first edition), Geo. B. Whittaker, London, 1825.\" alt=\"\" srcset=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_67_L-705x600.jpg 705w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_67_L-600x511.jpg 600w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_67_L-300x255.jpg 300w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_67_L-1030x877.jpg 1030w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_67_L-768x654.jpg 768w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_67_L.jpg 1203w\" sizes=\"(max-width: 705px) 100vw, 705px\" \/><\/div><\/div><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_68_L.jpg\" data-srcset=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_68_L.jpg 1272w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_68_L-600x483.jpg 600w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_68_L-300x242.jpg 300w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_68_L-1030x829.jpg 1030w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_68_L-768x618.jpg 768w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_68_L-705x568.jpg 705w\" data-sizes=\"(max-width: 1272px) 100vw, 1272px\"  aria-label=\"image William Parry, The last days of Lord Byron: with his Lordship&#8217;s opinions on various subjects, particularly on the state and prospects of Greece (first edition) Knight&#038; Lacey, London; Westley &#038; Tyrrell, Dublin, 1825.\"  id='av-masonry-1-item-19458' data-av-masonry-item='19458' class='av-masonry-entry isotope-item post-19458 attachment type-attachment status-inherit hentry  av-masonry-item-with-image' title=\"William Parry, The last days of Lord Byron: with his Lordship&#8217;s opinions on various subjects, particularly on the state and prospects of Greece (first edition) Knight&#038; Lacey, London; Westley &#038; Tyrrell, Dublin, 1825.\" alt=\"\"    itemprop=\"thumbnailUrl\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container'  ><img decoding=\"async\" width=\"705\" height=\"568\" fetchpriority=\"high\" class=\"wp-image-19458 avia-img-lazy-loading-not-19458\"  src=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_68_L-705x568.jpg\" title=\"William Parry, The last days of Lord Byron: with his Lordship&#8217;s opinions on various subjects, particularly on the state and prospects of Greece (first edition) Knight&#038; Lacey, London; Westley &#038; Tyrrell, Dublin, 1825.\" alt=\"\" srcset=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_68_L-705x568.jpg 705w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_68_L-600x483.jpg 600w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_68_L-300x242.jpg 300w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_68_L-1030x829.jpg 1030w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_68_L-768x618.jpg 768w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_68_L-495x400.jpg 495w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_68_L.jpg 1272w\" sizes=\"(max-width: 705px) 100vw, 705px\" \/><\/div><\/div><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_72_L.jpg\" data-srcset=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_72_L.jpg 276w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_72_L-224x300.jpg 224w\" data-sizes=\"(max-width: 276px) 100vw, 276px\"  aria-label=\"image The first edition of the emblematic work Hellas, A Lyrical Drama, by Percy Byshee Shelley. Charles and &#038; James Ollier Vere Street, London, 1822.\"  id='av-masonry-1-item-19468' data-av-masonry-item='19468' class='av-masonry-entry isotope-item post-19468 attachment type-attachment status-inherit hentry  av-masonry-item-with-image' title=\"The first edition of the emblematic work Hellas, A Lyrical Drama, by Percy Byshee Shelley. Charles and &#038; James Ollier Vere Street, London, 1822.\" alt=\"\"    itemprop=\"thumbnailUrl\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container'  ><img decoding=\"async\" width=\"276\" height=\"369\" fetchpriority=\"high\" class=\"wp-image-19468 avia-img-lazy-loading-not-19468\"  src=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_72_L.jpg\" title=\"The first edition of the emblematic work Hellas, A Lyrical Drama, by Percy Byshee Shelley. Charles and &#038; James Ollier Vere Street, London, 1822.\" alt=\"\" srcset=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_72_L.jpg 276w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_72_L-224x300.jpg 224w\" sizes=\"(max-width: 276px) 100vw, 276px\" \/><\/div><\/div><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_73_L.jpg\"  aria-label=\"image Count Pietro Gamba, A first edition narrative of Lord Byron\u2018s last journey to Greece, John Murray, London, 1825.\"  id='av-masonry-1-item-19470' data-av-masonry-item='19470' class='av-masonry-entry isotope-item post-19470 attachment type-attachment status-inherit hentry  av-masonry-item-with-image' title=\"Count Pietro Gamba, A first edition narrative of Lord Byron\u2018s last journey to Greece, John Murray, London, 1825.\" alt=\"\"    itemprop=\"thumbnailUrl\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container'  ><img decoding=\"async\" width=\"159\" height=\"230\" fetchpriority=\"high\" class=\"wp-image-19470 avia-img-lazy-loading-not-19470\"  src=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_73_L.jpg\" title=\"Count Pietro Gamba, A first edition narrative of Lord Byron\u2018s last journey to Greece, John Murray, London, 1825.\" alt=\"\" \/><\/div><\/div><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_85_L.jpg\" data-srcset=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_85_L.jpg 745w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_85_L-600x825.jpg 600w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_85_L-218x300.jpg 218w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_85_L-513x705.jpg 513w\" data-sizes=\"(max-width: 745px) 100vw, 745px\"  aria-label=\"image Sir Walter Scott (1771-1832), Scenes in the Morea or a Sketch of the life of Demetrius Argyri, Sherwood, Jones &#038; Company, 1824. This philhellenic work was published during the Greek War of Independence and presents the adventures of Demetrius as an allegory for the Greek resistance to the Turks.\"  id='av-masonry-1-item-19496' data-av-masonry-item='19496' class='av-masonry-entry isotope-item post-19496 attachment type-attachment status-inherit hentry  av-masonry-item-with-image' title=\"Sir Walter Scott (1771-1832), Scenes in the Morea or a Sketch of the life of Demetrius Argyri, Sherwood, Jones &#038; Company, 1824. This philhellenic work was published during the Greek War of Independence and presents the adventures of Demetrius as an allegory for the Greek resistance to the Turks.\" alt=\"\"    itemprop=\"thumbnailUrl\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container'  ><img decoding=\"async\" width=\"513\" height=\"705\" fetchpriority=\"high\" class=\"wp-image-19496 avia-img-lazy-loading-not-19496\"  src=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_85_L-513x705.jpg\" title=\"Sir Walter Scott (1771-1832), Scenes in the Morea or a Sketch of the life of Demetrius Argyri, Sherwood, Jones &#038; Company, 1824. This philhellenic work was published during the Greek War of Independence and presents the adventures of Demetrius as an allegory for the Greek resistance to the Turks.\" alt=\"\" srcset=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_85_L-513x705.jpg 513w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_85_L-600x825.jpg 600w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_85_L-218x300.jpg 218w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_85_L.jpg 745w\" sizes=\"(max-width: 513px) 100vw, 513px\" \/><\/div><\/div><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_93_L.jpg\" data-srcset=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_93_L.jpg 1128w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_93_L-600x407.jpg 600w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_93_L-300x203.jpg 300w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_93_L-1030x699.jpg 1030w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_93_L-768x521.jpg 768w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_93_L-705x478.jpg 705w\" data-sizes=\"(max-width: 1128px) 100vw, 1128px\"  aria-label=\"image John Cam Hobhouse, A Journey through Albania and other provinces of Turkey in Europe and Asia to Constantinople during the years 1809 and 1810. \u0391 picture of the Acropolis of Athens. John Cam Hobhouse was a faithful companion of Lord Byron, whom he followed in Greece; a Philhellene and a member of the London Greek Committee.\"  id='av-masonry-1-item-19300' data-av-masonry-item='19300' class='av-masonry-entry isotope-item post-19300 attachment type-attachment status-inherit hentry  av-masonry-item-with-image' title=\"John Cam Hobhouse, A Journey through Albania and other provinces of Turkey in Europe and Asia to Constantinople during the years 1809 and 1810. \u0391 picture of the Acropolis of Athens. John Cam Hobhouse was a faithful companion of Lord Byron, whom he followed in Greece; a Philhellene and a member of the London Greek Committee.\" alt=\"\"    itemprop=\"thumbnailUrl\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container'  ><img decoding=\"async\" width=\"705\" height=\"478\" fetchpriority=\"high\" class=\"wp-image-19300 avia-img-lazy-loading-not-19300\"  src=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_93_L-705x478.jpg\" title=\"John Cam Hobhouse, A Journey through Albania and other provinces of Turkey in Europe and Asia to Constantinople during the years 1809 and 1810. \u0391 picture of the Acropolis of Athens. John Cam Hobhouse was a faithful companion of Lord Byron, whom he followed in Greece; a Philhellene and a member of the London Greek Committee.\" alt=\"\" srcset=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_93_L-705x478.jpg 705w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_93_L-600x407.jpg 600w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_93_L-300x203.jpg 300w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_93_L-1030x699.jpg 1030w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_93_L-768x521.jpg 768w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_93_L.jpg 1128w\" sizes=\"(max-width: 705px) 100vw, 705px\" \/><\/div><\/div><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_94c.jpg\" data-srcset=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_94c.jpg 615w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_94c-600x999.jpg 600w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_94c-180x300.jpg 180w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_94c-423x705.jpg 423w\" data-sizes=\"(max-width: 615px) 100vw, 615px\"  aria-label=\"image Sir James Emerson Tennent, Picture of Greece (French edition), Paris, 1826. This edition\u2019s frontispiece contains an engraving of the admiral Andreas Miaoulis. (c)\"  id='av-masonry-1-item-19306' data-av-masonry-item='19306' class='av-masonry-entry isotope-item post-19306 attachment type-attachment status-inherit hentry  av-masonry-item-with-image' title=\"Sir James Emerson Tennent, Picture of Greece (French edition), Paris, 1826. This edition\u2019s frontispiece contains an engraving of the admiral Andreas Miaoulis. (c)\" alt=\"\"    itemprop=\"thumbnailUrl\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container'  ><img decoding=\"async\" width=\"423\" height=\"705\" fetchpriority=\"high\" class=\"wp-image-19306 avia-img-lazy-loading-not-19306\"  src=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_94c-423x705.jpg\" title=\"Sir James Emerson Tennent, Picture of Greece (French edition), Paris, 1826. This edition\u2019s frontispiece contains an engraving of the admiral Andreas Miaoulis. (c)\" alt=\"\" srcset=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_94c-423x705.jpg 423w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_94c-600x999.jpg 600w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_94c-180x300.jpg 180w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_94c.jpg 615w\" sizes=\"(max-width: 423px) 100vw, 423px\" \/><\/div><\/div><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_94b.jpg\" data-srcset=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_94b.jpg 767w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_94b-600x801.jpg 600w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_94b-225x300.jpg 225w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_94b-528x705.jpg 528w\" data-sizes=\"(max-width: 767px) 100vw, 767px\"  aria-label=\"image Sir James Emerson Tennent, Picture of Greece (French edition), Paris, 1826. This edition\u2019s frontispiece contains an engraving of the admiral Andreas Miaoulis. (b)\"  id='av-masonry-1-item-19304' data-av-masonry-item='19304' class='av-masonry-entry isotope-item post-19304 attachment type-attachment status-inherit hentry  av-masonry-item-with-image' title=\"Sir James Emerson Tennent, Picture of Greece (French edition), Paris, 1826. This edition\u2019s frontispiece contains an engraving of the admiral Andreas Miaoulis. (b)\" alt=\"\"    itemprop=\"thumbnailUrl\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container'  ><img decoding=\"async\" width=\"528\" height=\"705\" fetchpriority=\"high\" class=\"wp-image-19304 avia-img-lazy-loading-not-19304\"  src=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_94b-528x705.jpg\" title=\"Sir James Emerson Tennent, Picture of Greece (French edition), Paris, 1826. This edition\u2019s frontispiece contains an engraving of the admiral Andreas Miaoulis. (b)\" alt=\"\" srcset=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_94b-528x705.jpg 528w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_94b-600x801.jpg 600w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_94b-225x300.jpg 225w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_94b.jpg 767w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><\/div><\/div><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_94a.jpg\" data-srcset=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_94a.jpg 667w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_94a-600x921.jpg 600w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_94a-195x300.jpg 195w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_94a-459x705.jpg 459w\" data-sizes=\"(max-width: 667px) 100vw, 667px\"  aria-label=\"image Sir James Emerson Tennent, Picture of Greece (French edition), Paris, 1826. This edition\u2019s frontispiece contains an engraving of the admiral Andreas Miaoulis. (a)\"  id='av-masonry-1-item-19302' data-av-masonry-item='19302' class='av-masonry-entry isotope-item post-19302 attachment type-attachment status-inherit hentry  av-masonry-item-with-image' title=\"Sir James Emerson Tennent, Picture of Greece (French edition), Paris, 1826. This edition\u2019s frontispiece contains an engraving of the admiral Andreas Miaoulis. (a)\" alt=\"\"    itemprop=\"thumbnailUrl\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container'  ><img decoding=\"async\" width=\"459\" height=\"705\" fetchpriority=\"high\" class=\"wp-image-19302 avia-img-lazy-loading-not-19302\"  src=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_94a-459x705.jpg\" title=\"Sir James Emerson Tennent, Picture of Greece (French edition), Paris, 1826. This edition\u2019s frontispiece contains an engraving of the admiral Andreas Miaoulis. (a)\" alt=\"\" srcset=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_94a-459x705.jpg 459w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_94a-600x921.jpg 600w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_94a-195x300.jpg 195w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_94a.jpg 667w\" sizes=\"(max-width: 459px) 100vw, 459px\" \/><\/div><\/div><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/UK_Tennent.jpg\" data-srcset=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/UK_Tennent.jpg 829w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/UK_Tennent-600x741.jpg 600w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/UK_Tennent-243x300.jpg 243w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/UK_Tennent-768x949.jpg 768w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/UK_Tennent-571x705.jpg 571w\" data-sizes=\"(max-width: 829px) 100vw, 829px\"  aria-label=\"image Sir James Emerson Tennent (1804 \u20131869)\"  id='av-masonry-1-item-19791' data-av-masonry-item='19791' class='av-masonry-entry isotope-item post-19791 attachment type-attachment status-inherit hentry  av-masonry-item-with-image' title=\"Sir James Emerson Tennent (1804 \u20131869)\" alt=\"\"    itemprop=\"thumbnailUrl\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container'  ><img decoding=\"async\" width=\"571\" height=\"705\" fetchpriority=\"high\" class=\"wp-image-19791 avia-img-lazy-loading-not-19791\"  src=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/UK_Tennent-571x705.jpg\" title=\"Sir James Emerson Tennent (1804 \u20131869)\" alt=\"\" srcset=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/UK_Tennent-571x705.jpg 571w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/UK_Tennent-600x741.jpg 600w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/UK_Tennent-243x300.jpg 243w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/UK_Tennent-768x949.jpg 768w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/UK_Tennent.jpg 829w\" sizes=\"(max-width: 571px) 100vw, 571px\" \/><\/div><\/div><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/UK_Stanhope.jpg\" data-srcset=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/UK_Stanhope.jpg 710w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/UK_Stanhope-600x865.jpg 600w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/UK_Stanhope-208x300.jpg 208w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/UK_Stanhope-489x705.jpg 489w\" data-sizes=\"(max-width: 710px) 100vw, 710px\"  aria-label=\"image Leicester Fitzgerald Charles Stanhope, 5th Earl of Harrington (1784-1862)\"  id='av-masonry-1-item-19789' data-av-masonry-item='19789' class='av-masonry-entry isotope-item post-19789 attachment type-attachment status-inherit hentry  av-masonry-item-with-image' title=\"Leicester Fitzgerald Charles Stanhope, 5th Earl of Harrington (1784-1862)\" alt=\"\"    itemprop=\"thumbnailUrl\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container'  ><img decoding=\"async\" width=\"489\" height=\"705\" fetchpriority=\"high\" class=\"wp-image-19789 avia-img-lazy-loading-not-19789\"  src=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/UK_Stanhope-489x705.jpg\" title=\"Leicester Fitzgerald Charles Stanhope, 5th Earl of Harrington (1784-1862)\" alt=\"\" srcset=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/UK_Stanhope-489x705.jpg 489w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/UK_Stanhope-600x865.jpg 600w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/UK_Stanhope-208x300.jpg 208w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/UK_Stanhope.jpg 710w\" sizes=\"(max-width: 489px) 100vw, 489px\" \/><\/div><\/div><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/UK_Byron.jpg\" data-srcset=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/UK_Byron.jpg 790w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/UK_Byron-600x778.jpg 600w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/UK_Byron-231x300.jpg 231w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/UK_Byron-768x995.jpg 768w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/UK_Byron-544x705.jpg 544w\" data-sizes=\"(max-width: 790px) 100vw, 790px\"  aria-label=\"image George Gordon Noel Byron, Lord Byron (1788 \u20131824)\"  id='av-masonry-1-item-19787' data-av-masonry-item='19787' class='av-masonry-entry isotope-item post-19787 attachment type-attachment status-inherit hentry  av-masonry-item-with-image' title=\"George Gordon Noel Byron, Lord Byron (1788 \u20131824)\" alt=\"\"    itemprop=\"thumbnailUrl\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container'  ><img decoding=\"async\" width=\"544\" height=\"705\" fetchpriority=\"high\" class=\"wp-image-19787 avia-img-lazy-loading-not-19787\"  src=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/UK_Byron-544x705.jpg\" title=\"George Gordon Noel Byron, Lord Byron (1788 \u20131824)\" alt=\"\" srcset=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/UK_Byron-544x705.jpg 544w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/UK_Byron-600x778.jpg 600w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/UK_Byron-231x300.jpg 231w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/UK_Byron-768x995.jpg 768w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/UK_Byron.jpg 790w\" sizes=\"(max-width: 544px) 100vw, 544px\" \/><\/div><\/div><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/UK_Blaquiere.jpg\" data-srcset=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/UK_Blaquiere.jpg 790w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/UK_Blaquiere-600x778.jpg 600w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/UK_Blaquiere-231x300.jpg 231w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/UK_Blaquiere-768x995.jpg 768w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/UK_Blaquiere-544x705.jpg 544w\" data-sizes=\"(max-width: 790px) 100vw, 790px\"  aria-label=\"image Edward Blaqui\u00e8re (1779-1832)\"  id='av-masonry-1-item-19785' data-av-masonry-item='19785' class='av-masonry-entry isotope-item post-19785 attachment type-attachment status-inherit hentry  av-masonry-item-with-image' title=\"Edward Blaqui\u00e8re (1779-1832)\" alt=\"\"    itemprop=\"thumbnailUrl\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container'  ><img decoding=\"async\" width=\"544\" height=\"705\" fetchpriority=\"high\" class=\"wp-image-19785 avia-img-lazy-loading-not-19785\"  src=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/UK_Blaquiere-544x705.jpg\" title=\"Edward Blaqui\u00e8re (1779-1832)\" alt=\"\" srcset=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/UK_Blaquiere-544x705.jpg 544w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/UK_Blaquiere-600x778.jpg 600w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/UK_Blaquiere-231x300.jpg 231w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/UK_Blaquiere-768x995.jpg 768w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/UK_Blaquiere.jpg 790w\" sizes=\"(max-width: 544px) 100vw, 544px\" \/><\/div><\/div><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/gamba.jpg\" data-srcset=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/gamba.jpg 765w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/gamba-600x803.jpg 600w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/gamba-224x300.jpg 224w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/gamba-527x705.jpg 527w\" data-sizes=\"(max-width: 765px) 100vw, 765px\"  aria-label=\"image Count Pietro Gamba (1801-1828)\"  id='av-masonry-1-item-19783' data-av-masonry-item='19783' class='av-masonry-entry isotope-item post-19783 attachment type-attachment status-inherit hentry  av-masonry-item-with-image' title=\"Count Pietro Gamba (1801-1828)\" alt=\"\"    itemprop=\"thumbnailUrl\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container'  ><img decoding=\"async\" width=\"527\" height=\"705\" fetchpriority=\"high\" class=\"wp-image-19783 avia-img-lazy-loading-not-19783\"  src=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/gamba-527x705.jpg\" title=\"Count Pietro Gamba (1801-1828)\" alt=\"\" srcset=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/gamba-527x705.jpg 527w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/gamba-600x803.jpg 600w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/gamba-224x300.jpg 224w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/gamba.jpg 765w\" sizes=\"(max-width: 527px) 100vw, 527px\" \/><\/div><\/div><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/USA_Jarvis.jpg\" data-srcset=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/USA_Jarvis.jpg 787w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/USA_Jarvis-600x781.jpg 600w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/USA_Jarvis-231x300.jpg 231w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/USA_Jarvis-768x999.jpg 768w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/USA_Jarvis-542x705.jpg 542w\" data-sizes=\"(max-width: 787px) 100vw, 787px\"  aria-label=\"image George Jarvis (1797-1828)\"  id='av-masonry-1-item-19781' data-av-masonry-item='19781' class='av-masonry-entry isotope-item post-19781 attachment type-attachment status-inherit hentry  av-masonry-item-with-image' title=\"George Jarvis (1797-1828)\" alt=\"\"    itemprop=\"thumbnailUrl\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container'  ><img decoding=\"async\" width=\"542\" height=\"705\" fetchpriority=\"high\" class=\"wp-image-19781 avia-img-lazy-loading-not-19781\"  src=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/USA_Jarvis-542x705.jpg\" title=\"George Jarvis (1797-1828)\" alt=\"\" srcset=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/USA_Jarvis-542x705.jpg 542w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/USA_Jarvis-600x781.jpg 600w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/USA_Jarvis-231x300.jpg 231w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/USA_Jarvis-768x999.jpg 768w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/USA_Jarvis.jpg 787w\" sizes=\"(max-width: 542px) 100vw, 542px\" \/><\/div><\/div><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/USA_Howe.jpg\" data-srcset=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/USA_Howe.jpg 800w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/USA_Howe-600x768.jpg 600w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/USA_Howe-234x300.jpg 234w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/USA_Howe-768x983.jpg 768w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/USA_Howe-551x705.jpg 551w\" data-sizes=\"(max-width: 800px) 100vw, 800px\"  aria-label=\"image Dr. Samuel Gridley Howe (1801-1876)\"  id='av-masonry-1-item-19779' data-av-masonry-item='19779' class='av-masonry-entry isotope-item post-19779 attachment type-attachment status-inherit hentry  av-masonry-item-with-image' title=\"Dr. Samuel Gridley Howe (1801-1876)\" alt=\"\"    itemprop=\"thumbnailUrl\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container'  ><img decoding=\"async\" width=\"551\" height=\"705\" fetchpriority=\"high\" class=\"wp-image-19779 avia-img-lazy-loading-not-19779\"  src=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/USA_Howe-551x705.jpg\" title=\"Dr. Samuel Gridley Howe (1801-1876)\" alt=\"\" srcset=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/USA_Howe-551x705.jpg 551w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/USA_Howe-600x768.jpg 600w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/USA_Howe-234x300.jpg 234w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/USA_Howe-768x983.jpg 768w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/USA_Howe.jpg 800w\" sizes=\"(max-width: 551px) 100vw, 551px\" \/><\/div><\/div><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_96.jpg\" data-srcset=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_96.jpg 1920w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_96-600x400.jpg 600w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_96-300x200.jpg 300w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_96-1030x687.jpg 1030w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_96-768x512.jpg 768w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_96-1536x1024.jpg 1536w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_96-1500x1000.jpg 1500w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_96-705x470.jpg 705w\" data-sizes=\"(max-width: 1920px) 100vw, 1920px\"  aria-label=\"image Lord Byron\u2019s handwritten card to his publisher, John Murray, with various postal handstamps. Between 1819 and 1821, 9 x 19.5 cm.\"  id='av-masonry-1-item-19761' data-av-masonry-item='19761' class='av-masonry-entry isotope-item post-19761 attachment type-attachment status-inherit hentry  av-masonry-item-with-image' title=\"Lord Byron\u2019s handwritten card to his publisher, John Murray, with various postal handstamps. Between 1819 and 1821, 9 x 19.5 cm.\" alt=\"\"    itemprop=\"thumbnailUrl\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container'  ><img decoding=\"async\" width=\"705\" height=\"470\" fetchpriority=\"high\" class=\"wp-image-19761 avia-img-lazy-loading-not-19761\"  src=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_96-705x470.jpg\" title=\"Lord Byron\u2019s handwritten card to his publisher, John Murray, with various postal handstamps. Between 1819 and 1821, 9 x 19.5 cm.\" alt=\"\" srcset=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_96-705x470.jpg 705w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_96-600x400.jpg 600w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_96-300x200.jpg 300w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_96-1030x687.jpg 1030w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_96-768x512.jpg 768w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_96-1536x1024.jpg 1536w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_96-1500x1000.jpg 1500w, https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_96.jpg 1920w\" sizes=\"(max-width: 705px) 100vw, 705px\" \/><\/div><\/div><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_97_L.jpg\"  aria-label=\"image Paschal Aucher, A Grammar of Armenian and English, Venice, Armenian Press, 1832. During his stay at the Armenian monastery of St. Lazarus in Venice, Byron collaborated with the author. The edition includes some of Byron\u2019s poetry in Armenian.\"  id='av-masonry-1-item-19763' data-av-masonry-item='19763' class='av-masonry-entry isotope-item post-19763 attachment type-attachment status-inherit hentry  av-masonry-item-with-image' title=\"Paschal Aucher, A Grammar of Armenian and English, Venice, Armenian Press, 1832. During his stay at the Armenian monastery of St. Lazarus in Venice, Byron collaborated with the author. The edition includes some of Byron\u2019s poetry in Armenian.\" alt=\"\"    itemprop=\"thumbnailUrl\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container'  ><img decoding=\"async\" width=\"175\" height=\"295\" fetchpriority=\"high\" class=\"wp-image-19763 avia-img-lazy-loading-not-19763\"  src=\"https:\/\/phmus.org\/wp-content\/uploads\/2021\/11\/lb_97_L.jpg\" title=\"Paschal Aucher, A Grammar of Armenian and English, Venice, Armenian Press, 1832. During his stay at the Armenian monastery of St. Lazarus in Venice, Byron collaborated with the author. The edition includes some of Byron\u2019s poetry in Armenian.\" alt=\"\" \/><\/div><\/div><\/figure><\/a><!--end av-masonry entry--><\/div><\/div>\n<\/div><\/div><\/div><!-- close content main div --><\/div><\/div><div id='after_section_2'  class='main_color av_default_container_wrap container_wrap sidebar_right'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-19274'><div class='entry-content-wrapper clearfix'><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":5,"featured_media":0,"parent":19266,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"class_list":["post-19274","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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